After studying sociology, Yann Beuron studied singing at the Conservatoire National Supérieur de Musique de Paris. He has performed on the major French and international opera stages, and since his debut has interpreted numerous roles from the repertoire: Count Almaviva (The Barber of Seville) in Toulouse and San Francisco, Idamante (Idomeneo) in Marseille, Aix-en-Provence, Bremen and Salzburg, Fenton (Falstaff) in Bordeaux, Don Ottavio (Don Giovanni) in Lisbon and Marseille. In recent seasons, he has taken on a number of roles, including Pelléas (Pelléas et Mélisande) in Madrid and Brussels, and Titus (La Clémence de Titus) in Madrid. He has also appeared as Gonzalve (L'Heure espagnole) at the Royal Opera House in London, Stuttgart and La Scala in Milan, Pylade (Iphigénie en Tauride) in Amsterdam, the Chevalier de La Force (Dialogues des carmélites) in Vienna, Munich and London, Licinius (La Vestale) in Brussels, Fridolin XXIV (Le Roi Carotte) in Lyon and Lille, a cabaret manager, judge, swindler and murderer (Pinocchio) in Aix-en-Provence, Brussels and Dijon, the title role in Bluebeard in Lyon, Dickson (La Dame blanche) at Opéra Comique and Spalanzani (Les Contes d'Hoffmann) at La Scala in Milan. He has taken part in numerous recordings for EMI France, Virgin Classics, Erato and Phillips, DGG-Archives and Timpani.At the Opéra national de Paris: Hippolyte et Aricie (Arcas, Mercure), 1996; Les Indes galantes (Damon, Valère), 1999; Platée (Mercure), 1999, 2002, 2006, 2009; L'Heure espagnole (Gonzalve), 2004; Dialogues des carmélites (Le Chevalier de La Force), 2004; Iphigénie en Tauride (Pylade), 2006, 2008; Yvonne, princesse de Bourgogne (Prince Philippe), 2009 ; Roméo et Juliette (tenor), 2012, 2018 ; Alceste (Admète), 2013 ; Les Contes d'Hoffmann (Andrès, Cochenille, Frantz, Pitichinaccio), 2016 ; Le Soulier de satin (Don Pélage), 2021 ; Œdipe (Laïos), 2021