Don Quichotte

Don Quichotte

A comic yet tragic universal figure lost in his own world and out of place in the world of his contemporaries, ridiculous yet imposing, admirable yet pitiful, Don Quixote knows neither deceitfulness, abnegation, nor betrayal. The loss of his ideals and the surrender of principles: this was the death of Don Quixote. From the 17th century onwards, the character has inspired numerous avatars, not just literary ones, but in the fields of music and dance too. Their authors only had to draw from the abundance of episodes in the Cervantes novel—a veritable catalogue of adventures and anecdotes—which never fails to provide subject matter for artists short on inspiration. During the 19th century, all of Spain became a source of artistic creativity, almost to the point of cliché. Harsh, noble or picturesque, the work offers the best of itself through Mérimée’s pen, Bizet’s baton or Edouard Manet’s brush. With Marius Petipa, it gave rise to several ballets, including the famous Don Quixote. In Moscow and then Saint Petersburg, it was the same resounding success in successive adaptations by Petipa himself or by Alexander Gorski. The episode from the novel retained by the choreographer, the wedding of Kitri and Basil, paints the happiest aspect of the story. The shimmering colours and the character dances, together with the whirlwind of gypsies and beautiful Andalusian girls, were a huge success with audiences, won over as much by the new choreographic style as by the Iberian exoticism. In the following century, a young dancer by the name of Rudolf Nureyev would himself triumph in the very ballet that made the the Russian School famous. His memories of the work would accompany him to France where he revived it. In 1966, Nureyev staged his version of Don Quixote for the vienna Opera Ballet, before revising it for its entry into the repertoire of the Paris Opera in 1981. Since then, the Knight of the sad face has never really left the stage of the Opera. Presented since 2002 with new sets and costumes inspired by the paintings of Goya, each of its appearances enjoys the same endlessly renewed triumph.

Les Etoiles, les Premiers Danseurs et le Corps de Ballet
Orchestre de l’Opéra national de Paris
Conductor: Kevin Rhodes

Une coproduction Opéra de Paris Production, ARTE France et François Roussillon et Associés
Avec le soutien de la Fondation Orange, mécène des retransmissions audiovisuelles de l'Opéra national de Paris
Avec le concours du centre national du cinéma et de l’image animée

Réalisateur : François Roussillon

© 2012 – OPERA DE PARIS PRODUCTION – ARTE France – FRANCOIS ROUSSILLON ET ASSOCIES

Equipe artistique

Music: Ludwig Minkus
Arrangements et orchestration : John Lanchbery
Chorégraphie et mise en scène : Rudolf Noureev d’après Marius Petipa (Opéra national de Paris, 1981)
Set design: Alexandre Beliaev
Costume design: Elena Rivkina
Lighting design: Philippe Albaric

Distribution

Kitri : Dorothée Gilbert (Danseuse Etoile)
Basilio : Karl Paquette (Danseur Etoile)
Espada : Christophe Duquenne (Premier danseur)
Cupidon : Mélanie Hurel (Première danseuse)
La Reine des Dryades : Héloïse Bourdon
La Danseuse de rue : Laura Hecquet
Les deux Amies : Marie-Solène Boulet - Sarah Kora Dayanova
Don Quichotte : Guillaume Charlot
Sancho Pança : Hugo Vigliotti
Gamache, prétendant de Kitri : Eric Monin
Lorenzo, père de Kitri : Alexis Saramite
Le Gitan : Allister Madin
La Première Demoiselle d’honneur : Charline Giezendanner

Visuel © Julien Benhamou / OnP

Don Quichotte

1 Video

  • Don Quichotte

    Figure universelle, comique et tragique, perdu dans son monde et égaré dans celui de ses contemporains, ridicule et grandiose, admirable et pitoyable, Don Quichotte ne connaît ni la fourberie, ni le renoncement, ni la trahison. La perte de son idéal, la compromission : voilà la mort de Don Quicho...