Iolanta / The Nutcracker

Iolanta / The Nutcracker

The mysterious, unwavering chant of the English horn, punctuated by notes from the bassoon and the clarinet, follows its chromatic descent over twenty bars as if plunging into an unknown world. A world where Iolanta has lived in seclusion since her birth. She is unwittingly blind, since no one has the right to reveal the fact to her. This simple tale of collective denial at the court of Provence as narrated by the Danish writer Henrik Hertz in his play King René’s Daughter, was discovered by Tchaikovsky in 1883. However, moved beyond words by the presence of the young actress Elena Konstantinova Leshkovskaya in the title role, it would be another five years before the composer decided to transform it into an opera. Should we believe him when he claims that “the dukes, knights and noble damsels of the Middle Ages had captivated his imagination, but not his heart”? Would the fate of the heroine, like a rite of passage from darkness to light, from lies to truth, not rekindle his own wounds which ended up carrying him to his grave less than a year after the double premiere of Iolanta and The Nutcracker at Saint Petersburg’s Mariinsky Theatre on December 18th 1892?
Directed for the stage by Dmitri Tcherniakov, this exceptional programme combines all the talents of the Paris Opera and offers an opera and a ballet in a single evening: Tchaikovsky originally intended Iolanta and The Nutcracker to be staged together. However, since their debut performance at Saint Petersburg’s Mariinsky Theatre in 1892, they have been presented separately. The composer found inspiration for his opera in Danish playwright Henrik Hertz’s work recounting the romantic story of Iolanta, the blind daughter of King René. Protected by her father in his Provençal château, the princess ultimately regains her sight before marrying the gallant knight Vaudémont. The Nutcracker is based on a tale by Hoffmann adapted by Alexandre Dumas. Like a two-sided mirror reflecting the dreams of a composer who took refuge in the realms of the imaginary, the Paris Opera is reviving the original diptych. Alain Altinoglu conducts and Dmitri Tcherniakov stages this production that symbolises the link between opera and ballet.

Orchestre et Choeurs de l’Opéra national de Paris
Conductor: Alain Altinoglu
Chorus master: Alessandro Di Stefano

Une coproduction Opéra national de Paris et Bel Air Media
Avec la participation de France Télévisions et le soutien de la Fondation Orange,
Mécène des retransmissions audiovisuelles de l’Opéra national de Paris, et du Centre national du cinéma et de l’image animée

Director : Andy Sommer

© Opéra national de Paris – Bel Air Media – France 2016

Creative team

Music: Piotr Ilyitch Tchaïkovski
Libretto: Modeste Tchaïkovski
Director: Dmitri Tcherniakov
Set design: Dmitri Tcherniakov
Choreography: Sidi Larbi Cherkaoui, Edouard Lock, Arthur Pita
Costume design: Elena Zaytseva
Lighting design: Gleb Filshtinsky
Video: andrey Zelenin

Cast Iolanta

Roi René: Alexander Tsymbalyuk
Iolanta: Sonya Yoncheva
Vaudémont: Arnold Rutkowski
Robert: Andrei Jilihovschi
Ibn Hakia: Vito Priante
Alméric: Roman Shulakov
Bertrand: Gennady Bezzubenkov
Martha: Elena Zaremba
Brigitta: Anna Patalong
Laura: Paola Gardina

Cast The Nutcracker

Marie: Marion Barbeau
Vaudémont: Stéphane Bullion (Étoile)
Drosselmeyer: Nicolas Paul
Le père: Aurélien Houette
La mère: Alice Renavand (Étoile)
Robert: Takeru Coste
La sœur: Caroline Bance

Le Corps de Ballet de l’Opéra national de Paris
Maîtrise des Hauts-de-Seine
Chœur d’enfants de l’Opéra national de Paris
Avec la participation d’élèves d’écoles de danse parisiennes.

Iolanta / The Nutcracker
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  • Télécharger le livret - Download the libretto (Iolanta)

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